“All a poet can do today is warn. That is why the true poet must be truthful.”

above statement by Wilfred Owen, the greatest First World War poet.

In honour of Remembrance Sunday, here is the Foresters’ House in Northern France where British poet & soldier Wilfred Owen wrote his last letter home (sheltering in the cellar) before he was killed in 1918 aged just 25. The modest farmhouse has been transformed by British artist Simon Patterson (renowned for his artwork The Great Bear, a re-working of the London Underground Map). It is certainly not a typical War memorial, rather a particularly potent example of what can happen when artists get involved with such projects. The house has become a sculpture, incorporating sound (the reading of poems & letters) and visuals (engravings of poems & text) with light.

Some (including Owen’s nephew and the W Owen Association) were initially concerned about the proposal believing that the original house would be ruined. Now, with the house transformed, they say it maintains its architectural integrity and, perhaps more importantly, has highlighted Owen’s poetry, making it more accessible. Very surprising and beautiful; moving are some of the comments from locals, heard in an excellent BBC Radio 4 documentary.

Plotted Stitching

Grayson Perry, Hold Your Beliefs Lightly, 2011. Computerised embroidery on cotton and silk, programming by Tony Taylor. 32.5 x 45cm, Edition of 250 plus 10 Artist�s Proofs, copyright the artist, reproduced with permission, courtesy ofVictoria Miro
Grayson Perry, Hold Your Beliefs Lightly, 2011. Computerised embroidery on cotton and silk, programming by Tony Taylor. 32.5 x 45cm, Edition of 250 plus 10 Artist�s Proofs, copyright the artist, reproduced with permission, courtesy ofVictoria Miro

This month’s image is by Turner Prize-winning artist Grayson Perry and shows he has more strings to his bow than pot-making. Hold Your Beliefs Lightly is a small flag featuring Alan Measles, Perry’s childhood teddy bear and source of inspiration in his art (he even has his own blog!) This comes from Perry’s current exhibition at the British Museum  highly recommended for the artist’s intriguing selection of rarely-seen objects from the BM’s collection, interspersed with his own art works to create an interesting dialogue between objects and makers throughout history. Read it here: http://www.bcs.org/content/conWebDoc/42643