Light Constructed by Numbers

This month’s image is a selection of stills from an interactive digital artwork by French artist Anne-Sarah Le Meur, who is interested in questions such as: How does light behave in a virtual space, constructed only by numbers? How do these numbers allow one to play, to disturb, to possibly twist physical laws of light, when one is not looking to simulate realistic phenomena? Read the full text here: http://www.bcs.org/content/conWebDoc/40701

Still images of Red to Come, performance (30 minutes), computer rendered, by Anne-Sarah Le Meur, 2011
Still images of Red to Come, performance (30 minutes), computer rendered, by Anne-Sarah Le Meur, 2011

Fascinating new book published on an aspect of Computer Art’s history

A Little-Known Story About a Movement, a Magazine, and the Computer’s Arrival in Art: New Tendencies and Bit International, 1961-1973, edited by Margit Rosen has recently been published by MIT Press. I’ve long admired Margit’s work at Germany’s ZKM and this book, clearly the result of years of hard work, brings together Margit’s significant research and curatorial skills. It is a great, weighty tome that delivers a big bang for your buck, illuminating an exhibition movement that took place predominately in Europe – although its reach extended to Britiain and elsewhere (particularily seen in the work of Gustav Metzger, Alan Sutcliffe and others discussed within). Highlights include a clear and useful introductory essay by Margit, re-printed original texts by Metzger, Herbert W Franke, Joanthan Benthall to name just three and numerous photographs and illustrations. The whole publication is wonderfully clear and beautifully laid-out as you might expect from a top-class museum like the ZKM. Well worth a read if you’re interested in questions of why we are where we are today.